From Colony to Nation: 200 Years of American Painting at the New-York Historical Society

Jun 7 2013 - Sep 8 2013

This exhibition of American art, drawn from the New-York Historical Society's venerable collections, presents a chronological and thematic survey of masterworks ranging in date from 1720 to 1917. Included are Colonial, Federal, and Gilded Age portraits; Hudson River School landscapes; marine and maritime paintings, with a focus on works inspired by the War of 1812; and genre, history, and narrative subjects.

Thomas Buttersworth (English, 1758-1842), Escape of H.M.S. Belvidera from the U.S. Frigate President, ca. 1815, Oil on canvas, 16 x 22 in. (40.6 x 55.9 cm), Bequest of Irving S. Olds, 1963.58

Weaving throughout the installation will be a medley of artist portraits that traces American masters from Benjamin West’s London studio to the mid-nineteenth century ateliers of New York. Highlights include works by Gerardus Duyckinck, Charles Willson Peale, Gilbert Stuart, Benjamin West, Thomas Cole, Asher B. Durand, Thomas Birch, Thomas Buttersworth, William Sidney Mount, John F. Kensett, John Singer Sargent and Childe Hassam.

The Wind Mill

Title
The Wind Mill
Date 
ca. 1858
Medium 
Oil on canvas
Credit Line 
New-York Historical Society, The Robert L. Stuart Collection
Object Number 
S-217
Due to ongoing research, information about this object is subject to change.

Princess Elizabeth in the Tower

Title
Princess Elizabeth in the Tower
Date 
1860
Medium 
Oil on canvas
Credit Line 
New-York Historical Society, The Robert L. Stuart Collection
Object Number 
S-187
Due to ongoing research, information about this object is subject to change.

Pilgrims Going to Church

Title
Pilgrims Going to Church
Date 
1867
Medium 
Oil on canvas
Credit Line 
New-York Historical Society, The Robert L. Stuart Collection
Object Number 
S-117
Due to ongoing research, information about this object is subject to change.

The Window (later known as A Window, House on Hudson River)

Title
The Window (later known as A Window, House on Hudson River)
Date 
1863
Medium 
Oil on canvas
Credit Line 
New-York Historical Society, The Robert L. Stuart Collection
Object Number 
S-71
Due to ongoing research, information about this object is subject to change.

The Intelligence Office

Title
The Intelligence Office
Date 
1849
Medium 
Oil on canvas
Credit Line 
New-York Historical Society, Purchase, Abbott-Lenox Fund
Object Number 
1959.46
Due to ongoing research, information about this object is subject to change.

Sowing the Word

Title
Sowing the Word
Date 
1868
Medium 
Oil on linen
Credit Line 
New-York Historical Society, Gift of the Estate of Isaac Newton Phelps Stokes
Object Number 
1948.158
Due to ongoing research, information about this object is subject to change.

Return of the 69th (Irish) Regiment, N.Y.S.M. from the Seat of War

Title
Return of the 69th (Irish) Regiment, N.Y.S.M. from the Seat of War
Date 
1862
Medium 
Oil on canvas
Credit Line 
New-York Historical Society, Gift of Louis Lang. Photo courtesy Williamstown Art Conservation Center, 2011
Object Number 
1886.3
Due to ongoing research, information about this object is subject to change.

Making American Taste: Gallery Tour 2

Speaker: 
Linda S. Ferber
Mon, 12/19/2011 - 11:00am

Event details

In the nineteenth century, the place of the arts in a democracy was a hotly debated topic in the United States. The new exhibition Making American Taste: Narrative Art for a New Democracy integrates the broad range of styles and narrative themes — from history, literary and religious subjects to the more familiar rural and domestic genres — through which Americans were expected to attain cultural refinement. Join Senior Art Historian Linda S.

Making American Taste: Gallery Tour 1

Speaker: 
Linda S. Ferber
Mon, 11/28/2011 - 11:00am

Event details

In the 19th century, the place of the arts in a democracy was a hotly debated topic in the United States. The new exhibition Making American Taste: Narrative Art for a New Democracy integrates the broad range of styles and narrative themes — from history, literary and religious subjects to the more familiar rural and domestic genres — through which Americans were expected to attain cultural refinement. Join Senior Art Historian Linda S.

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