Foreign Policy with David Sanger and Richard Haass

Speaker: 
David E. Sanger
Richard N. Haass (moderator)
Tue, 02/04/2014 - 18:30
Tue, February 4th, 2014 | 6:30 pm

Note: This event is sold out

 

EVENT DETAILS

Here at home and across the globe, questions regarding U.S. foreign policy and national security are always of critical concern. Focusing on President Obama’s unforeseen foreign policy challenges, David E. Sanger, in conversation with Richard N. Haass, highlights key issues for present and future U.S. foreign policy makers.

Price: 
$34
Members price: 
$20
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Macy's Sunday Story Time: Enlightening the World

Sun, 08/11/2013 - 11:30
Sun, August 11th, 2013 | 11:30 am

Recommended for children ages 4–7.

Hear the Statue of Liberty speak through Emma Lazarus’ poem “The New Colossus,” and discover why Emma’s poem was so important to the statue’s construction!

Emma’s Poem: The Voice of the Statue of Liberty by Linda Glaser
 

Support for the Macy's Sunday Story Hour provided by the Macy's Foundation.

 

Family Programs: 
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Chinese American: Exclusion/Inclusion

September 26, 2014
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April 19, 2015

Chinese American: Exclusion/Inclusion explores the centuries-long history of trade and immigration between China and the United States—a history that involved New York from its very beginnings—and will raise the question “What does it mean to be an American?” The exhibit narrative extends from the late eighteenth century to the present and includes all regions of the country, thus interpreting the Chinese American saga as a key part of American history.

Arnold Genthe, Woman and Child, San Francisco Chinatown. Photograph. New-York Historical Society

Within the exhibition, rich in media and artifacts, will be little-known stories, such as the voyage of the Empress of China, which set sail from New York in the late eighteenth century; how young Chinese boys were sent by their government to study at elite New England schools during the nineteenth century; the unprecedented immigration legislation known as the Exclusion Act of 1882, which barred most Chinese from entering the United States; the nineteenth-century newspaper, called Chinese American, and its founder Wong Chin Foo; and the Chinese American activists who used the American justice system to try to overturn the Exclusion Act.
 

SHARE YOUR STORY WITH US!

To illustrate this exhibition, we are highlighting the stories of the lives, achievements, culture, and rich diversity of Chinese Americans. We invite you to share your experience with a personal story and photo. Some submissions may be featured in the exhibition and online. To learn more, click here.

The New-York Historical Society recognizes the leadership support of
Oscar Tang and Agnes Hsu-Tang - Tang Family Foundation
for Chinese American: Exclusion/Inclusion.

Generous funding has also been provided by the National Endowment for the Humanities,
the Institute of Museum and Library Services, the Achelis and Bodman Foundations,
and Harold J. and Ruth Newman.

This program is supported, in part, by public funds from
the New York City Department of Cultural Affairs in partnership with the City Council.

Additional support provided by Lulu C. Wang.

Macy's Sunday Story Time: Cinco de Mayo

Sun, 05/05/2013 - 11:30
Sun, May 5th, 2013 | 11:30 am

Recommended for children ages 4–7.

Celebrate Mexican independence and heritage by reading letters that cousins Charlie and Carlitos send each other from Mexico and the United States! Then enjoy hearing all about Mouse’s misadventures during the Cinco de Mayo festival at the city park—will Cat spoil his fun?

Dear Primo: A Letter to My Cousin by Duncan Tonatiuh
Cinco de Mouse-o by Judy Cox
 

Support for the Macy's Sunday Story Hour provided by the Macy's Foundation.

 

Family Programs: 
Sold out: 
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Macy's Sunday Story Time: St. Patrick's Day!

Sun, 03/17/2013 - 11:30
Sun, March 17th, 2013 | 11:30 am

Recommended for children ages 4–7.

While traveling to America, Fergus whittles the branch of an Irish blackthorn tree into a Shillelagh so he will always have a piece of Ireland with him. This Shillelagh becomes the family’s heirloom and a centerpiece for storytelling each St. Patrick’s Day, just like today!

The St. Patrick's Day Shillelagh by Janet Nolan

Support for the Macy's Sunday Story Hour provided by the Macy's Foundation.
 

Family Programs: 
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St. Patrick's Eve

Grab a pint at our cash bar and tour our objects and paintings that represent the history of the Irish in New York.

Fri, 03/16/2012 - 18:00 to 20:00
Fri, March 16th, 2012 | 7:00 pm to 9:00 pm

On St. Patrick's Eve, we'll be hosting an evening dedicated to Irish heritage, with music, art and more. Grab a pint at Caffè Storico and tour our objects and paintings that represent the history of the Irish in New York! A map will guide you to such treasures as artist John Ramage's desk, Al Smith's cigar box, and Louis Lang’s historical painting The Return of the 69th (Irish) Regiment, N.Y.S.M.

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Nueva York (1613–1945)

January 30, 2012
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January 30, 2012

Nueva York (1613 – 1945) explores how New York's long and deep involvement with Spain and Latin America has affected virtually every aspect of the city's development, from commerce, manufacturing and transportation to communications, entertainment and the arts. Bringing together New York's oldest museum (New-York Historical Society) and its leading Latino cultural institution (El Museo del Barrio), Nueva York spans more than three centuries of history: from the founding of New Amsterdam in the 1600s to the present day, as represented by a specially commissioned documentary by award-winning filmmaker Ric Burns.

WWII & NYC

October 05, 2012
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May 27, 2013

The Second World War (1939–1945) was the most widespread, destructive, and consequential conflict in history. WWII & NYC is an account of how New York and its metropolitan region contributed to Allied victory. The exhibition also explores the captivating, sobering, and moving stories of how New Yorkers experienced and confronted the challenges of “total war.”
Want to see everything—from lectures to films to behind-the-scenes stories—related to WWII & NYC? Click here to visit the WWII & NYC site!

Irving Boyer, Prospect Park, ca. 1942–1944. Oil on academy board. The New-York Historical Society, Gift of Selwyn L. Boyer, from the Boyer Family Collection, 2002.49

When war broke out in 1939, New York was a cosmopolitan, heavily immigrant city, whose people had real stakes in the global conflict and strongly held opinions about whether or not to intervene. The attack on Pearl Harbor in 1941 brought the U.S. into the war, and New York became the principal port of embarkation for the warfront. The presence of troops, the inflow of refugees, the wartime industries, the dispatch of fleets, and the dissemination of news and propaganda from media outlets, changed New York, giving its customary commercial and creative bustle a military flavor. Likewise, the landscape of the city acquired a martial air, as defenses in the harbor were bolstered, old forts were updated, and the docks became high security zones.

The exhibition examines the experiences of New Yorkers on the home front and those who served. In New York City, workers mobilized to assist in wartime production, from shipbuilding at the Brooklyn Navy Yard to uniform manufacturing at Brooks Brothers. Families grew victory gardens and dealt with the challenges of rationing. Military training camps sprang up throughout the city, and nightclubs and theaters opened their doors to the droves of servicemen passing through. Each day in the crowded port a logistical miracle occurred. Sixty-three million tons of supplies and 3,300,000 men shipped out from New York Harbor—at war’s height, a ship left every 15 minutes. 900,000 New Yorkers served in the military; twelve of their stories are told through individual profiles, and in a 20-minute film shot by a Signal Corps combat cameraman trained in Queens.

Installed throughout all floors of the New-York Historical Society, the exhibition features more than 400 images and objects, including artifacts, paintings, maps, photographs, posters, music, radio broadcasts, and thirteen short films made for the exhibit, many featuring interviews with actual participants. The exhibition draws upon extensive collections at the New-York Historical Society and on important loans from the US Navy, the Museum of WWII, Boston, the Smithsonian Institution, the Mariners’ Museum, and the Metropolitan Museum of Art, among other institutions.

West Gallery

War for Civil Rights describes a “Double V” campaign waged by African Americans during WWII, which argued that the black men and women who fought for victory abroad deserved full civil rights and victory over racism at home. The exhibit, comprised of photographs, posters, and two new short films, focuses on three aspects of the Double V campaign in New York City: the Negro Freedom Rallies; the fight against Red Cross blood segregation; and the effort to integrate the Stuyvesant Town housing development.

Cabinet Gallery

GI Sketch Diary: Ben Brown’s World War II Drawings features the artwork of Bronx-raised Ben Brown, a corporal who fought in North Africa and in the bitter and bloody Italian campaign. Brown carried sketchbooks with him throughout his time on the front. The sketches seen in this exhibit—a fraction of the art Brown produced during the war— illustrates his experiences and the people and places he encountered.

Robert H. and Clarice Smith New York Gallery of American History

Several World War II-related displays can be found in The Robert H. and Clarice Smith New York Gallery of American History. Small objects from the home front, including jewelry, matchbooks, and games, are on view in cases embedded in the floor. Six video columns feature a slideshow of images, including battlefront photographs, recruitment posters, patriotic textiles, among others. And the monumental History Showcase exhibit displays wartime uniforms and related posters.

Lowlight Gallery

Visualizing Liberty and Democracy: The Four Freedoms, December 14, 2012 through January 1, 2013. Almost a year before the Japanese attack on Pearl Harbor that propelled the United States into World War II, President Franklin D. Roosevelt addressed Congress in a State of the Union speech. The president spoke of threatened international security and articulated the hope for a new world order founded upon four essential human freedoms: the freedom of speech and expression; the freedom of worship; the freedom from want; and the freedom from fear. The Four Freedoms, as they immediately came to be known, provided a facile explanation to Americans about their country’s ultimate participation in the war. Yet by 1942, only one-third of the public was familiar with what they were. Unable to serve his country in other ways, the artist Norman Rockwell became driven to illustrate Roosevelt’s vision. The Manhattan-born, Vermont transplant specialized in commercially popular, sentimental scenes of small-town life, and his four paintings of each “freedom” were no exception. Rockwell’s series succeeded in making the American public visualize Roosevelt’s lofty rhetoric, and helped them to understand what the world was fighting for. Today, The Four Freedoms endure as four of Norman Rockwell’s most iconic works, and also offer a lesson in World War II ideology and propaganda.

Luce Center

A display in the Luce Center highlights the role of the New-York Historical Society during WWII. The exhibit includes information and objects from staff members who went to war; ephemera and photographs from wartime exhibitions; acquisitions collected during and after the war; and insight into the changes made throughout the museum to adapt to the war.

 

WWII & NYC was made possible, in part, by:

Bernard & Irene Schwartz
The Peter Jay Sharp Foundation
May and Samuel Rudin Family Foundation, Inc.
Eric & Fiona Rudin
Jack & Susan Rudin
Elizabeth B. Dater & Wm. Mitchell Jennings, Jr.
Ruth & Harold Newman
Ernest Tollerson
Laurie & Sy Sternberg
Charles Rosenblum
The Weiler Family

This program is supported, in part, by public funds from the New York City Department
of Cultural Affairs, in partnership with the City Council.

The New-York Historical Society is grateful to New York City Councilmember
Gale A. Brewer for her support.

Support for the exhibition publication was generously provided by
Futhermore: a program of the J.M. Kaplan Fund

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