The New-York Historical Society invites you to participate in educational activities for families in Spanish. Come with your children ages four to ten to our educational programs about the history and art of New York. In the galleries we will chat about different themes, and children will have the opportunity to learn and enjoy themselves making drawings with watercolors and pastels, collages, and sculptures. Classes include art materials.
Note: This event has reached capacity.
During the 1870s, American trompe l’oeil painting enjoyed a rebirth. Usually seen as trickery, deception, or humor, Dr. Judith Barter’s lecture addresses trompe l’oeil as a type of painting that contained modern ideas. These contain narratives that reflect a new consumer culture, standardization and professionalism, memory and reality, and the very nature of painting itself.
Although by turns whimsical and bold, Cunningham’s project also was part of the larger cultural zeitgeist in New York City, during an era in which issues surrounding both the preservation and the problems of the urban landscape loomed large.
Dozens of all-black teams emerged during the Black Fives Era, in New York City, Washington, Pittsburgh, Philadelphia, Chicago, Atlantic City, Cleveland, and other cities where a substantial African-American population lived. The Black Fives Era came to an end in the late 1940s with the growth in stature of black college basketball programs combined with the gradual racial integration of previously whites-only collegiate basketball conferences and professional basketball leagues.
Claire Yaffa, whose work has been featured in The New York Times and several other major publications, has worked for years to document an intensely intimate, behind-the-scenes look at medical institutions and their youngest patients, giving agency and voice to thousands of
Vergara remarked about his work that “most murals and street portraits of Dr. King are ephemeral. Paint fades, businesses change hands and neighborhood demographics shift. Gradually, images reflecting the culture and values of poor communities are lost….Often, my photographs are the only lasting record of these public works of art.” This exhibition offers the opportunity to study the manner in which Martin Luther King, Jr.
We all have precious photographs and documents that we wish to preserve and treasure. But how to do it? Meet Alan Balicki, our Senior Conservator, who will share the tools and materials he uses to preserve the past here at New York City's oldest museum. Then work with a talented teaching artist to create a lovely, simple and sturdy family album to take home and get you started. Parents and children will work together to create an album that will showcase and preserve the images, documents and objects they value the most.
The exhibition will also highlight images from the Historical Society's own collection, especially the marvelous and little-known portfolio of 889 photographs taken from 1966 to 1973 by Herman N. Liberman Jr., a member of the New York Stock Exchange, who walked 502 miles in a serpentine pattern along every street in Manhattan, from river to river, recording every single house of worship then in existence, including the most modest storefront and parlorfront churches and synagogues.p>
The New-York Historical Society's exhibit Tunnel Vision: New York Subway Construction Photographs, 1900–1908, explores the logistical challenges and remarkable effort that went into what at the time, was the largest construction project in the city's history. The exhibition showcases 80 photographs, culled from more than 5,000 from 1900–1908 in the Historical Society's Subway Construction Photograph Collection, all of which were a gift from the New York City Board of Transportation in 1950.