Friday – Sunday, November 29 – December 1, All day
Families will seek out images of light throughout the New-York Historical Society in this seasonal scavenger hunt. From New-York Historical's Louis Comfort Tiffany lamps to the treasures of Shearith Israel, find examples of light used for both decoration and symbolism.
Woolworth's "small token” of his regard, as he described it during the presentation ceremony, was in fact a conspicuous flaunting of wealth and power. The bowl is austere in its design, with an inscription around the perimeter executed in Gothic-style silver gilt lettering. Both the lettering and the bowl's neo-Gothic ornament make direct reference to the architectural details of Gilbert's masterpiece. A view of the Woolworth Building from City Hall Park is chased inside the bottom of the bowl.
The Luce Center houses collections formerly kept in offsite storage. It offers a behind-the-scenes look at a working museum collection. In addition to a rich array of objects, small focus exhibitions highlight specific strengths of the collection and offer a historical context for current cultural, economic, political and social issues. Free handheld guides and cell phone tours allow visitors to hear the stories behind the objects on view.
The work entered the New-York Historical Society's collections in 1882 and hung in the stairwell of New-York Historical’s Second Avenue home. It had been on long-term loan to the Deutsches Historisches Museum since 1998, where it is the centerpiece of the 1848 section of the museum’s permanent exhibition. The work finds particular resonance with Emanuel Leutze’s Washington Crossing the Delaware in the Met’s American Wing. The Leutze's monumental, newly reconstructed frame is based on Mathew Brady photographs in New-York Historical's collection.
The exhibition includes approximately sixty Tiffany lamps, windows, mosaics, enamels and ceramics designed by Clara Driscoll and other women at Tiffany Studios, as well as numerous objects made under her direction. Supplementary archival material documents the activities at Tiffany Studios and sheds light on Driscoll’s experience as a New York working woman at the turn of the century.