Beals, Hervey, and Hewitt: Women Pioneers of Architecture and Design Photography
Beals, Hervey and Hewitt had much in common: each began their professional career at the turn of the 20th century; each balanced the pressures of family with professional ambition; and each was successful in establishing a photography career. Beals and Hewitt ultimately left their husbands when their marriages inhibited their creative aspirations. Each photographer not only created a significant body of work reflecting a key subject—urban architecture and interior design—but also each recognized the necessity to aggressively promote herself as a specialist in her subject matter. Within their fields, these women carved for themselves a particular niche in what was, and still is, a competitive market place.
Jessie Tarbox Beals drew upon her intimate knowledge of Greenwich Village and created a body of work illustrating the neighborhood's tearooms, artist garrets and shops. Less well known are her photographs of courtyard gardens. These works, most likely done on commission for a designer or landscape architect, reveal the private green spaces that continue to flourish behind the city's marble and brownstone facades.
Like Beals, Mattie Hewitt found a distinctly New York milieu—the interiors of fashionable residences, hotels, clubs, and shops. Hewitt's camera captures the streamlined surfaces and bejeweled textures that characterize the interior design work of Elsie de Wolfe, Samuel Marx, Albert-Armand Rateau, T. H. Robsjohn-Gibb